Selected spreads from Untitled. Documentation and writings on a body of work which explores the visual language of photographs, the nature of memory, and how we understand ourselves in relation to the continuum of one's life as a series of recorded “points” in time and space — the photographs we both produce and consume throughout our journey. This book, along with a video, and an exhibition of photographs presented in the RISD Museum of Art, comprised my M.F.A thesis.

Four booklets of thematic reflections on the thesis and its process. (unfinished)

Composed of still frames from Alfred Hitchcock's film Rear Window (1954), this book examines surveillance, voyeurism, cinematic time, and the portrayal of interpersonal relationships. A series of diptychs posit alternate visual narratives, while their subtitles (captions) suggest other potential frames of reference (or contexts)—employed using a variety of rhetorical forms and other "linguistic gymnastics." Multiple layers of meaning are thus conjured, which simultaneously provoke, amuse, and confound the viewer (observer).